At Interbrand, we believe that brands have the power to change the world, and recently we got the proof.

Last year we designed the new brand for Alzheimer’s Australia – designed to put a fighting spirit at the heart of the brand to raise awareness of the public and government. Last week the Australian Federal Government announced aged care reforms and their plan to tackle dementia, making it a major health priority.

This achievement is the first goal in a ten year plan we delivered as part of the rebrand. It's huge news for both Alzheimer’s Australia and ourselves.

News

Australian Government makes Dementia a health priority

The Government’s proposals for tackling dementia address the key priorities in our Fight Dementia Campaign. Particularly; timely diagnosis; improving the quality of dementia care; improving acute care services; support for people with younger onset dementia; and expanded support through the National Dementia Support Program to improve access to better coordinated services.

Ita Buttrose, President of Alzheimer’s Australia, said the Government’s package showed that the Prime Minister and the Minister for Mental Health and Ageing, Mark Butler, have not only listened to people with dementia but have responded comprehensively to their priorities.

“It’s great to see a genuine focus on dementia in the aged care reforms.
Dementia is getting the attention it deserves.”
Ita Buttrose

For us at Interbrand this is the best news that we could expect to hear. Our rebrand of Alzheimer’s Australia has done exactly what it was intended for – getting people talking about this devastating disease. Having the Australian government take notice of our campaign highlights the importance of branding and what it’s capable of doing.

Changing the world.

You can read the full press release here.

This month Telstra launched their Connected Home –
a suite of products and service which opens customers’ eyes to incredible entertainment and communication possibilities when their homes are uber-connected.

We worked with DDB to conceive the Connected Home offer and communication platform to express this new idea to customers. Since the offer is modular and configurable we chose building blocks to explain it.
A family of animated characters live in a completely modular, blocky world, which comes to life when connected.

Work

TELSTRA’S CONNECTED HOME

The campaign plays out as a series of animated ads above the line (from DDB), and an interactive in-store retail experience which allows customers to build their own connected home. We scripted, storyboarded and directed a number of animations to explain the connected home offer in-store, which you can see below. The animations were produced by the marvelous Flutter in Melbourne.

To learn more about Telstra’s connected home click here.

To see DDB’s Connected Home ads click here.

Every year, Interbrand announces the internal Best Work Awards, which celebrates the best work from our 35 offices around the world.

This year we are delighted to announce that Interbrand Australia has won awards in two categories. Alzheimer’s Australia for Best Brand Expression, and Telstra for Best Brand Introduction. We also won an honorable mention for Verbal Identity, for a project which we can’t quite talk about yet.

But that’s not all. We were also given the ultimate award from the competition – The CEO award, which honours the office which best exemplifies our core values. This year they gave it to Interbrand Australia, which encompasses both Sydney and Melbourne.

We’re delighted to have received this recognition from our friends around the world.

News

INTERBRAND BEST WORK AWARDS

This was every designer's nightmare brief - create an invitation for the wedding of two close friends. John and Sarah wanted to avoid all of the romantic cliches associated with wedding invitations. Instead, our brief was to create something fun and unique and capture their playful sense of humour.

News

Wedding invite

A homage to the often parodied 1939 government poster emerged. Invitees receive either a printed poster, tea towel or mug. The play on words captures the couple's sense of humour as well as referencing the nerves often felt on the big day. The crown icon of the original poster was replaced by a wedding ring. Each limited edition item is hand numbered, providing a keepsake for friends and family.

Best of luck to John and Sarah for their big day.


One of our Design Directors Chris has designed the cover of this month’s Desktop magazine. Themed around the relationship between music and design, the issue touches on everything from band logos and album covers to set lists and t-shirts. The design comprises two separate, complementary headlines that are overprinted, creating the magazine’s first ever rotatable cover. Chris also contributed an article on the challenges of designing for music.

People

DESKTOP MAGAZINE

We’re delighted to have been recognised at this year’s Brand New Awards, which celebrates the best brand identity work from around the world.

Two of our projects stood out for the judges. Our brand identity for New Theatre was awarded Best Comprehensive Identity Program while Alzheimer’s Australia was given an honourable mention for comprehensive brand identity. To top it off, New Theatre was given the ultimate accolade of Best in Show.

News

BRAND NEW AWARDS

Brand New is the world’s largest forum for discussing new brand identity and we’re obviously incredibly proud to have had our work recognised. Well done to all involved at Interband Australia, and congratulations to all the other winners.

You can see the full list of winners here.

Today we launch our new work for the Queensland Art Gallery. The challenge was to reposition its two sites, the Queensland Art Gallery (QAG) and Gallery of Modern Art (GOMA) into a single QAGOMA brand for the first time.

The Queensland Art Gallery has been located at South Bank for 30 years and its second site, the Gallery of Modern Art, opened in December 2006.

In five short years, GOMA has made a real mark for itself. It has quickly become a cultural pin on the Queensland map through collaborations with some of the world’s great galleries. The success of GOMA has seen great fame alongside the already established Queensland Art Gallery.

Work

QAGOMA

The Solution

Inspired by the idea of Yin and Yang, we created a strikingly simple visual and verbal system that pulls the two brands together whilst simultaneously celebrating their differences.

Identifying a unique situation, we treated QAG and GOMA as two siblings with distinct personalities, rather than two separate galleries or buildings. By thinking of QAG and GOMA in this way, we can create a fascinating brand experience that revolves around the conversation and interplay between the two, giving visitors a more rounded experience.

Language played a major part in the concept and the execution. No matter which gallery the visitor is in, the other can provide a point of view. Just like siblings; sometimes they contradict, sometimes they complement, other times they complete one another’s sentences.

The identity system is designed to accentuate the different perspectives each could provide. It has the potential to surprise by folding around corners, up steps or by splitting in half across surfaces.

Ultimately, it’s something that only QAGOMA can do as one institution with two different perspectives.

Queensland Art Gallery I Gallery of Modern Art Director Tony Ellwood said, “Interbrand has delivered a brand identity that makes the most of our two-site institution to engage and challenge how we, and our audience, think about art and the personality of our two venues. Having a strong and vibrant brand strategy is vital to ensuring our ongoing success and readiness for future challenges.

The new brand will be rolled out gradually over the next six months with restaurants and cafes the first to take on the new identity.

You can read more about the launch in Desktop Magazine’s March issue.

Last year we helped Telstra advance its brand identity. Pushing old blue and orange aside, some great changes have occurred around this iconic Australian brand. We introduced “life in full colour” to reflect the energy, diversity and emotion that customers experience when all parts of their lives are better connected.

Work

Telstra Update

Since launch the brand has been seen, heard and felt across everything from televisions to service vehicles and major events to airport terminals right around Australia. Just pick up the phone and you’ll notice the difference. And the numbers show for it. Complaints are down by 24%. It’s a great story for a brand once considered one of Australia’s least preferred.

So we’re proud to say the hard work has paid off, and now the business is successfully communicating with a greater sense of purpose, and genuine adaptability to the needs and attitudes of different customers. It’s all about relevance and engagement. And now the business can say 2011 was its strongest year yet in terms of customer growth.

Catalogue covers and spreads in collaboration with Paragon.

Some of Australia’s top retailers and manufacturers arrived at beautiful Milsons Point for breakfast this Wednesday, to watch our CEO, Damian Borchok, reveal Interbrand’s Best Retail Brands 2012.

Our annual global publication surveys the performance of the world’s leading retail brands. And on the day, Damian shared his insights into the new era that is affecting retailers of all sizes across the country.

News

Best Retail Brands 2012

He encouraged retailers to change their behaviour to better suit the changing behaviour of their customers. And he explained that a combination of technology, agility, and multi-channel offerings must form the foundation of this shift. He also shared his thoughts on the humble bricks and mortar shop.
“The importance of the physical environment is changing. Progressive retailers are not simply treating the store as a receptacle for stock or a place for conducting transactions. They see the opportunity to sell more than products they can sell whole experiences.”

Interbrand Sydney’s Design Director for Environments, Sally Taylor, then took us on a journey through the transformation of Victor Churchill’s butchery in Woollahra. She talked of the need for retail brands to create a significantly more memorable shopping experience, if they are to connect effectively with their customers.

While many see the present time as a traumatic for traditional retailers, it provides enormous scope for smart players to innovate their business models and their brands. Those with the vision and ambition to offer customers more rewarding experiences will certainly see the payoff.

For more information and a full copy of the report
click here.

2012 is a year of great significance for AGDA NSW having received some criticism last year for a lack of purpose, vision and relevance. 2012 saw the introduction of a new president, a new council and now, a new direction.

The objective was to give AGDA NSW a strong, relevant and inspiring voice. A voice that would better engage with a thriving design community.

Work

Launching the new Agda NSW

To signify change we repositioned the organisation locally as 'AGDA NEW'. Working with the Council, we built the year’s calendar of events around a simple, yet poignant and engaging idea. Placing AGDA NEW at the centre of design debate we began talking to our industry, about our industry. We devised a language based campaign that is sometimes provocative, sometimes playful, sometimes profound.

Best of all the campaign now lives in the hands of anyone who wants to join the conversation.

This week saw the launch of 2012's calendar of events in the form of Beer O'Clock at the Local Taphouse in Darlinghurst. An event that in the past has had limited numbers, saw the industry turn out in droves, to not only celebrate the launch of a new chapter for AGDA NSW but to help build the campaign themselves.

AGDA NSW president Glen Barry: “As a council, we are all really pleased with this new vision and articulation of AGDA NSW. We are excited to launch what we feel is a really strong year of inspiring events for our members. Thanks to Interbrand for their amazing effort and commitment. See you at the next event; Pink is the new Blue on 5th March at Dept. of Trade and Investment, MLC Centre."

Thanks also go to the key sponsors Aquent, Southern Colour Printing, BJBall Papers and our additional launch event sponsors The Distillery, Digitalpress and Group Momentum in making the launch such a huge success.

Follow AGDA NSW @agdanew

Last week Sydney Design Director Chris Doyle took part in two events, presented in partnership with Apple and Australian INFront.

The first was a discussion panel aimed at graduates and junior designers, held at the Apple store in the city. Chris joined a panel of four to debate the do's and dont's of entering the design industry. The event sold out weeks in advance and turned out to be a thorough, and hopefully informative look, at the all important first few years of a designers life.

The follow up was a folio review session for designers at the Apple store in Bondi. The event sold out with Chris joining designers Vince Frost, Andrew Moffitt and Toby Pike among others, for intimate reviews and feedback sessions with over 50 students.

News

An Apple A Day

Congratulations to our very own Chris Maclean who has been recognised by Australian Creative magazine as one of the creative industry's ‘Power 20’. The award celebrates individuals at the peak of their profession. Winners are chosen through the following three qualifiers:

1 Individuals who exhibited a gathering influence.
2 Demonstrated a creative approach to business.
3 Demonstrated bravery in their creative approach.

Chris more than ticks all three boxes, producing excellent work for the likes of Telstra, Griffin Theatre and Alzheimer’s Australia to name but a few. Congratulations from all at Interbrand, thoroughly well deserved.

This months Australian Creative magazine also features a four page lead article on our recent rebrand of Alzheimer’s Australia. You can pick up a copy at your local news agent or online here.

News

Chris Maclean Power 20

New Theatre is one of Sydney’s oldest, proudest and most independent theatre’s. With 80 years of rich history, firm beliefs and an undeniable passion for the arts, New is a peoples theatre in the truest sense. Their ethos is about celebrating alternative theatre and helping to grow the careers of anyone and everyone who wants to get involved.

Work

The New Theatre

This ethos is celebrated through a bold and unexpected identity. At the centre of it all, a new logomark referencing unexpected twists and turns in the form of an ‘NT’ device, that stems from the word mark. The logo combines the three initial letters of The New Theatre into one simple mark. The unique mirrored structure of the mark allows applications and messaging to be rotated. The device is used to communicate the theatre’s aims for constant reinvention, transitions and alternative viewpoints. It allows New Theatre to sit proudly at the centre of their productions, literally stamping them and claiming them as their own. The idea of 'new' collaborations with local businesses and the community also comes to life through product and event partnership.

For the 2012 season collateral we devised an unexpected, bold and simple system. Verbally the posters are led by surprising, curious and edgy headlines that offer knowing insights into each show. Visually we avoided the cliché of glossy, dramatic portraits of actors and instead opted for simple, relevant, one colour, iconic images. The New Theatre brand dominates the season aesthetic, employing a layered, screen printing aesthetic, the work speaks to New's grass roots approach.

“Working for clients like New Theatre is hugely important to us. Being able to contribute to Sydney’s arts culture is always a priority for the agency. As communicators, helping to provide a voice for a passionate team of people with such a creative and rich history is very satisfying. It also reinforces our belief that smaller, less affluent clients are just as deserving of big ideas and strong brands as our corporate clients are.”
Mike Rigby and Christopher Doyle, Interbrand.

“Interbrand has succeeded in putting the “new” back into New Theatre. As we celebrate our 80th Anniversary, Interbrand has helped us to reenergise our company by giving it a much needed facelift which will not only change the way our audiences view us, but allows us to re-think how we view ourselves.”
Luke Rogers, General Manager, New Theatre

New Theatre Brand Video from Interbrand on Vimeo.

What’s the first thing you do when a recruiter calls? You pretend you’re not talking to a recruiter.

We’re all familiar with that awkward moment, when a recruiter calls and you need to pretend you are talking to your mother. So when Chantal Manning-Knight approached Interbrand to look at rebranding, we thought why not reposition her business in a way that not only presents her skills, experience and passion for people, but also addresses the need for absolute secrecy and discretion.

Work

Cloak and Dagger

Addressing the standard hurdles of changing jobs – secret meetings, awkward phone calls and absolute discretion – we avoided all reference to recruitment whatsoever. Instead we created Cloak & Dagger: online emporium of coats and knives (and jobs).

Potential candidates can browse an online store that specialises in personalised fittings, tailoring and alterations. They can learn about Cloak & Dagger’s philosophy, history and process, register for catalogue and product updates (new jobs), and even book in for a fitting (interview). All without revealing they are actually considering a career move. CVs are presented as ‘creative partnerships’ with the Cloak & Dagger team.

Expertly printed by The Distillery.

We are honored to announce that our work for Alzheimer's Australia has been awarded a Certificate of Typographic Excellence' by the Type Directors Club of America.

TDC was founded in 1946 by some of the industry’s leading practitioners, including Herb Lubalin and Hermann Zapf. The Type Directors Club is the leading international organisation whose purpose is to support excellence in typography.

Click here to join the fight against dementia and Alzheimer's disease.

News

Type Directors Club of America

Following last year's successful rebrand of Steve Bland as - The Great Blandini - Photoshop retoucher extraordinaire, we produced this Little Book of 'Photo-shoppe' Trickery.

The brochure features 10 tricks used by the great man himself, plus some custom retouches that show off his unparalleled skills - such as sawing the woman in half.

Work

Little Book of Photo-Shoppe

The whole brochure is hand-drawn with a calligraphy pen and ink, yes even the body copy. A rare thing these days and a real labour of love.

The brochure is printed on recycled stock and singer sewn stitched down the spine.

To be sent out to Steve's design industry contacts in 2012 as a keepsake and a powerful demonstration of Blandini's mastery of the mysterious Photo-shoppe.

Designed and conceived by Interbrand Australia, words by Mike Reed.

Printed beautifully (and quickly) by the lovely folk at Digitalpress.

We are proud to announce that Chris Doyle, Design Director in our Sydney office, has been selected as a judge for this years D&AD Awards. D&AD, widely regarded as the toughest award show in the advertising and design industry, will celebrate its 50th year this year.

People

D&AD JUDGING 2012

Chris has been recognised numerous times by D&AD, including two nominations last year and one Yellow Pencil in 2009 for his Identity Guidelines project. He will head to London in April to join the Writing for Design Jury.

Putting our best fight forward

Why did six Interbrander’s from our Sydney studio march on Parliament House in October last year?

The answer: to fight for dementia.

This unique campaign, led by Ita Buttrose, brought together over 500 committed members and supporters of Alzheimer’s Australia. The purpose of the march was to raise awareness of the dementia epidemic, while demanding $500 million over five years in the next Federal Budget to address an issue that runs deep into the fabric of Australia.

Work

Alzheimer’s Australia March

It was an emotional and heartwarming day, where people shared stories of their fight with dementia. The march promoted debates inside parliament that day, as well as continued media coverage across the country.

We’re pleased to see the new Alzheimer’s Australia brand connect with audiences young and old, right across Australia.

You can catch our footage from the day here.

Thanks for everyone involved.

Get the inside out.

The Call for Entries for Newtown Flicks is now open, and we’re honoured to say that we’ve written, directed and shot the trailer to promote this year’s festival.

Now in its 6th year of showcasing new films and filmmakers in Sydney, Newtown Flicks was originally established as a non-profit organisation in 2005 to meet the demands of the underground Sydney
short film industry. Since then, it has grown to become an integral part of the Newtown, inner-city and Australian cultural calendar – and it’s great to be a part of the action.

Work

Newtown Flicks

“Our work for Newtown Flicks is more than a labour of love,” says Chris Doyle, Design Director. “It's driven by the belief that our smaller arts clients deserve the same opportunities to impact their audiences as our larger corporate clients. And it’s so satisfying to be able to produce, edit and deliver a piece of film that is not only cost effective, but also celebrates what is at the heart of the festival itself — the growth and encouragement of young independent film makers in Australia.”

Newtown Flicks’ Director, Martin Kelly added: ”Newtown Flicks is launching its 6th season and the 2012 festival looks to be the best one yet. However, we could not have possibly achieved all that we have to date without the consistent support of Chris Doyle and all our friends at Interbrand. Their poster design and film clip for this season’s festival are more than we could have ever have hoped for. Thanks guys, you all rock!”

The Call for Entries is open until 6 July, visit here. for more info.


In October 2011, renowned and respected design website Design Assembly, turned 3. To mark the occasion the team at DA retired the site and produced a book — 3 in fact — archiving the past 3 years of discourse and showcasing new and exclusive material.

We were honoured to be invited to contribute two articles.

News

Design Assembly

Design Director Chris Doyle wrote about the fears and challenges we all face as designers. And we were also proud to have our rebrand for Alzheimer's Australia feature as one of three articles — alongside Macmillans Cancer Support and Make Poverty History — on the role design can play in creating change in society and genuinely improving peoples lives.

100% of profits from the sale of the book will be distributed globally between 3 Cancer charities — Cancer Research UK, LIVESTRONG and
WCRF International

For more information or to purchase the book
visit here.

Diana Chirilas is the latest winner of our Stand Apart award for exceptional performance.
Diana has made a great impression in her first full year at Interbrand and is now the proud owner of an iPad 2.

The Stand Apart Award voted on by everyone in the studio to celebrate those who most stand apart for their hard work, ideas and attitude. We all celebrated together at The Gazebo Wine Bar in Manly.
Congratulations Diana.

People

Stand Apart Diana

Interbrand Australia were tasked with articulating a new, powerful direction for the employees at McDonald’s which would ultimately transform the customer experience.

Our analysis showed that we needed to create more of a balance between the existing speed and efficiency of product and delivery, and inject a new, healthy dose of magic and enjoyment for each and every customer visit.

Work

McDonald’s Brand Book

Building on the internal service promise of ‘Dedicated to Enjoyment’ we developed the concept of SHOWTIME. This concept repositions McDonald’s employees as performers, essentially tasked with putting on a show for their customers – allowing them to experience the true magic of the McDonald’s brand. As Ray Kroc, the founder once said: “We are not in the burger business, we’re in show business.”

So, rather than reinvent what McDonalds stands for, this program was about rediscovering the magic at the heart of the brand. The reason why people continue to flock to McDonald’s for an instant pick me up. And the real reason why 85,000 Australians come to work every single day at McDonald’s.

The concept of ‘Showtime’ was recently launched internally to 4000 Restaurant Managers, in Singapore, with a themed conference (Cirque de Soleil) and a copy of this brand book for every manager. The brand book represents the culmination of the first phase of ongoing work designed to revitalise the McDonald’s service promise.

The book itself is large format and interactive - featuring peel off stickers, reflective paper and a fold out poster. It communicates a large scale, strategic shift in the business, through a simple, captivating and relevant voice. A voice that is distinctly McDonald’s.

Last week Mike Rigby received the Bernbach Award for Creative Brilliance at the DDB Sydney 2011 Awards.

Having previously worked at The Chase, Pentagram London and True North in the UK, Mike moved to Australia and into the role of Creative Director at Interbrand Australia, just under two years ago.

People

Mike Rigby Bernbach Award

Since then, Mike has delivered an extraordinary body of work and has helped bring to life the rebranding of Alzheimer’s Australia, Argyle Pink Diamonds, McDonalds, Queensland Art Gallery/Gallery of Modern Art and IGLOO TV. Clients simply love working with Mike.

On the awards side, his work for The Great Blandini picked up two of the most prestigious international awards — Red Dot and D&AD. The Bernbach award recognises Mike’s influence and respect not just at Interbrand, but across the entire DDB Group.

Congratulations Mike on this brilliant achievement.

For more on Mike, visit www.mike-rigby.com.

So often, a unique wine, a wine that truly stands apart, is not just appealing on matters concerning taste, but matters of life.

We share wine with the people around us who matter. We raise our glasses to honor friendships, celebrate important occasions or simply toast to good health.

Work

Peter Lehmann Wines

Peter Lehmann is a man from the Barossa, and his wines play a special role with appreciative palates around the globe.

But the Peter Lehmann brand, and its story, had been left, untouched for over 10 years. Interbrand Melbourne was tasked with delivering a strategy that would allow the brand to stand apart in the world of wine today. The aim was to achieve this without losing the currency held within the Peter Lehmann story, and the value of this Barossa legend.

The strategy focused on wine ranges, price points, design and history. Now, the legend that is Peter Lehmann is captured, in silhouette, on every bottle. While subtle differences across each individual ranges reflect the unique style and spirit of the products. The result visually unifies the brand, while bringing personality and distinction to the varieties produced by this award winning wine house. Australian Wine News (2011).

Australian Wine News (2011, Feb 18). Australia’s finest wines revealed, Article. Retrieved December 21, 2011, from here.

2011 has been nothing short of big.
So when we were shortlisted as finalists for the Campaign Asia-Pacific Agency of the Year Awards last month, there were some big hugs around the studio.
And, last night in Singapore, our most anticipated big news moment of the year came true.
We won Specialist Agency of the Year, Australia and New Zealand.

News

Singapore’s High Note

Our Managing Director, Rich, had these words to say, "It's been a massive year for us and I couldn't be happier for the team here to have its efforts recognised with this award. And thanks also to all our clients for sharing in our successes over the past 12 months and choosing to stand apart."

Well done to Rich and all the team!

Mumbrella is an online media and marketing news site that provides leading commentary on industry trends and current events across Australia. Earlier this month, Mumbrella interviewed Rich, our Managing Director, as part of their weekly podcast instalment.

People

Under Rich’s umbrella

Rich gave an insightful interview that captured everything from how we pitch to new clients to some of the ways in which brand can contribute to improving business performance. Mumbrella editor-in-chief, Tim Burrows, was quick to ask questions about Telstra’s role in our growth as a business, how we work with other agencies and the Interbrand Best Global Brands survey.

Describing our front and centre approach to work, Rich said, “The heart and soul of what we do is about discovering what’s true to that organisation, true to that brand or true to that business. A lot of what we do is not about creating something new, but about unlocking what’s already there. There is going to be a certain spirit or an ethos or a character to any organisation, business or brand. Its how we bring that to the surface and communicate it in a more effective and more powerful way”.

You can catch the full interview here.

When Kyoorius, a leading Indian design magazine, phoned Andy Wright, our GM in Melbourne, we were a little surprised. Sure, it wasn’t a household name around our studio, but we were more than happy to accept their offer to chat about our recent work with Brisbane city.

News

Mumbai calling…

Our work with Brisbane has been cited with New York, London and Amsterdam as an example of a successful piece of destination branding. Andy spoke to Kyoorius about what makes a successful destination brand. He concluded that such brands rely heavily on local residents and businesses to make them who they are. Through proper engagement, you can capture the pride and ownership of the destination, just like in Brisbane. Without their engagement, a community of cynics can emerge, only to cripple the brand. Wally Olins was also interviewed and Michael Wolff provided a sign-off.

You can find Kyoorius on Facebook here.

Alheimer's Protest March Ita Buttrose

By 2030, Alzheimer’s could kill more Australians than any other disease. And, currently, there is no cure.

To help increase awareness and the level of funding afforded to Alzheimer’s Disease and other forms of dementia, we had to create a brand that could cut through the clutter of the charity landscape. A brand with a fighting spirit at its heart. A brand designed to create a movement.

Work

Alzheimer’s Australia

The identity is bold, simple, clear, and, deliberately, very easy to manage. Using just two colours and, often, only four words. It features a flexible logo that changes and evolves to communicate different messages. From fighting to funding, to research and education - whatever the topic, we have a logo to carry that message.

At 6am this morning, a team of Interbranders headed down to Canberra to march on Parliament House as part of a high impact brand launch. They were joined by the Alzheimer’s Australia team, Ita Buttrose, and hundreds of passionate supporters.

The march heralded not only the launch of the new brand identity, but the “bloody great big bomb” we were told to set off by the organisations president, Glenn Rees.

It's been a very proud day for our agency. A day that we hope signals a vital change of attitude towards an issue that, to some degree, affect every one of us.

Top forty under forty

Richard, our Managing Director in Sydney, has earned himself a place in this year’s exclusive AdNews 40 under 40 list. The list is a celebration of the talent our industry champions and nurtures across agencies, advertisers and media owners across Australia.

News

Top 40 under 40

Rich, at the tender age of 35, has grown our Sydney office from five to more than 50 staff. Described by our chief executive, Damian, as a “bright shining light in our industry”, Rich is known around the office and in the industry as a “boots-and-all leader, tireless worker, admired colleague and trusted business partner”.

You can read more about 40 under 40 and the selection criteria here.

It’s also worthwhile grabbing a copy of the article just to discover the strength of Rich’s ‘power bar’ ;-)

We received our first D&AD slice this week for our work on The Great Blandini project. Previously ‘in book’ recognition arrived in the form of a printed certificate only.

It’s a smart move by D&AD. The slices not only significantly elevate the achievement of getting ‘in book’, but also act as a powerful incentive to win a full pencil next year. Congratulations to all involved.

News

D&AD